Janet’s new arrangement of a beautiful Shaker work song contains three variants which can be sung continuously or as separate interludes in a concert. Granta Chorale gives the première in their concert: ‘All in the end … is harvest’ in Corpus Christi College Cambridge on 17th October. The piece can be sung by a flexible line-up of at least 4 voices with piano.
Janet’s Prelude on Angelus ad Virginem has been published in Encore Publications’ new anthology: Born in a Stable – Organ music for Advent and Christmas. Janet was delighted when Sarah MacDonald gave the première in Ely Cathedral on September 8th in her recital marking the Nativity of the BVM. Sarah plans to play it again in Westminster Abbey next year.
Birds of Paradise première Edinburgh’s Cadenza Choir commissioned Janet to compose a retirement gift for Jenny Sumerling, who directed the choir for 22 years. With new conductor Tim Coleman, the choir premièred Janet’s setting of Christina Rossetti’s ‘Birds of Paradise’ at Greyfriars Kirk on August 24th in their Edinburgh Fringe Festival concert. The music features aleatoric birdcalls from upper voices layered against a full SATB texture. The organ loft in Greyfriars Kirk made the ideal…
To mark Christopher Batchelor’s inspirational twenty years leadership of the London Festival of Contemporary Church Music, Alastair Carey has curated a special celebration concert to open LFCCM 2023. Recently commissioned composers have been invited to contribute, with a whole team of composers writing different sections of a collaborative Mass setting Missa Brevis pro Baccalarius. Janet has composed the final section of the Gloria. The work is to be premièred on May 12th at St Pancras…
Janet’s new setting for choir and harp of Edmund Sear’s words to the well-known carol It Came Upon the Midnight Clear will be premièred by Granta Chorale at All Saints Church Jesus Lane, Cambridge on 17th December 2022. The harp plays more than an accompanying role, with swooping glissandi, high sparkling flashes as well as dramatic arpeggios to support the choir’s shifting harmonies.